The Morelli Bros. (Chapter I, Part VIII)

“Goomba!”

Like many a nameless Bond villain, the creatures announced their presence as one.  A quick count put their numbers at a dozen, a formidable number had they been people, but these beings didn’t seem to be all that intelligent.  While their eyes glared at him with malevolence, they continued to slowly march forward despite what he had done to their brethren.

He noticed, as well, that they didn’t come as a single group, but rather, in small groups of two or three at most.

“Luigi,” he commanded with authority.  “Flip!”

His brother, who was still recovering from their sudden trip to Neverland, rose into a crouch and laced his hands, palms up, before him.  With a final nod to show that he was ready, Mario launched himself into action.  His legs pumped beneath him as he charged toward his brother.  It was a move he had practiced many times with his sibling, one he was normally more comfortable with when using a vertical barrier, and was something he had thought of for just such an occasion.

His brother, who was every bit as strong as he, gave his hands to him as an impromptu spring.  Mario’s right foot found the pocket they had created, and in the next second, his left foot landed on Luigi’s right shoulder.  The younger of the two then redirected his momentum and launched him with all his might.  The effect couldn’t have been more perfect, for the older Morelli now flew up and away from him, spinning in mid-air to face the attacking creatures.

As Mario came down upon the leading trio, Luigi sprung to his feet and ran towards a duo that were now branching off in his direction.  Unlike the other, who leapt with the grace of practice, Luigi jumped into the air with his legs still pumping as wildly as if they had never left the ground.

“Wa-HOO,” Mario yelled to the side of him, where he was using the natural sponginess of the creatures to bounce from one to the next.  Luigi laughed, but his merriment was cut short when he made his first contact with one of the Goomba creatures. He watched in horror as the fungal creature burst beneath him, its intestines jettisoning from a large split in the creature’s side.  Unlike any digestive system he’d ever heard about, this creature’s was every bit the nature of its body. They were dark green, covered in slime, and emitted a smell worse than any sewer he had ever worked around.

He had nearly slipped from the top of the creature’s chitinous dome when it reached its lowest point, and his recovery was even worse.  While Mario continued to bounce from one creature to the next, he had to do everything in his power to just maintain his sense of momentum.  Unlike his brother, after the second of the two splooshed beneath him, he found himself over-compensating the anticipated launch, and instead of leaping gracefully into the air, he flew straight out and face planted, hard, into the dirt.

Luigi felt the air rush out of him as he hit the ground.  Stunned, he looked into the eyes of another of the foul creatures.

Trespasser (Part XIV)

The drive home was agonizing.  Not only did his thoughts torture him the entire way, but so too did his aching muscles.  The only comfort was the low rumble of the engine in his 1984 Ford pickup.  The horses thundered when he pressed down on the pedal, but at a steady speed, like the one he was cruising at now, it sounded as a stampede would from a mile away.

From time to time, his eyes would begin growing heavy, but he would catch himself with a quick jerk of the head.  It was a small movement, violent, and its only intention was to shake the sleep from his bones, but it wasn’t going to work for much longer.  As he rolled down the window for a little fresh air, he replayed the short conversation with Davie in his head.

“It’s about Vanessa.  Even now, she’s…”

She’s, what?  Getting into some sort of trouble?  That wasn’t very likely, but then again, he hadn’t been around much, as of late.  With the extra shifts he’s had to cover, there have been times when days would pass before he had a chance to sit down and relax with his family.

He tried to imagine the mischief that she could be getting herself into, but nothing even came close to believable in his eyes.  Could she be stealing?  Not very likely.  She spent most of her time lost in her own imagination, and material objects were only as precious as she made them out to be.  She still played with that unfinished figurine of hers!

Just that thought alone ruled out any destructive behaviour.  Most times, she didn’t move from one spot for hours, so it wasn’t very likely that she was tearing the neighborhood up. She was loud, at the very most, and that wasn’t very often.  There were times when he’d be working outside and he’d have to stop just to make sure she was still there.

“Ugh,” he moaned wearily.  While he was almost home, three o’clock was just around the corner.  Six came even sooner.  But before he could lay down, he had a promise to keep.  Davie was waiting up, with whatever important information that he thought he needed to know, and if anything, he was a man of his word.

As he fought to stifle off another yawn, he tightened his knuckles around the wheel in determination.  Only twenty more minutes stood between him and the answers to his questions.  Hopefully, only a half an hour stood between him and his bed.

From the Success of Thomas Hardy; Horror Films and Best Picture in the Oscars?

Horror Films and Best Picture in the Oscars

Thoughts?

I think; The reason for this is that here we have an original story, based on the novel concept by Thomas Harris. Most movies today are original projects that do not have an established fan base. Furthermore, they entertain the whims of the producers/writers, in that rather than focusing on the psychological aspect of the story, they’d rather shove nudity and gore down our throats.

While there is a time and place in a horror story for either of these aspects, they should not be the focus of the story. For example, I enjoy the Friday the 13th series immensely. If you’ve watched any single one of these movies, you know that the show is going to be 35% (sex/nudity), 55% (gore/dismemberment), and 10% dialog that’s so poorly written, it’s comical.

There’ll never be a Jason Voorhees movie to hold an Oscar, for any category. I’m sorry folks, that’s just how it is.

In order for there to be another horror movie in this category, I believe it’s going to need to replicate the success of Thomas Hardy’s hard work. It’s going to take the hard work of a “Book” author to reach this level as well!

Correct me if I’m wrong here, but from my experience, Novelists stand a better chance at creating something magnificent, than, say, a screenwriter in this genre.
Notice the last part of that sentence there? I don’t want to discriminate screenwriters in general, I just believe that in order for a horror story to succeed, it’s going to again take the efforts of the novelist.

A novelist is going to have more time to work on the story. Whether he or she is an indie, or is working directly with a publisher, there is going to be much more time to create something that is powerful, something that can be easily refined. With a screenwriter, the script needs to be pumped out as fast as possible. It doesn’t take as many pages to create a believable movie, but only because it’s a collaborative effort between the screenwriters, the producers, the directors, etc. All come together to create a believable vision, and if one fails, they all fail. What one envisions, the other may not.

Take the movie adaptation of ‘The Shining’ for example. While we love, love, LOVE, this movie, any true horror fan knows that it’s a bastardization of the original story.

Does this mean it’s not a success? Mhm, I would think that at the time…no. But now, it’s a cult classic.

“Here’s Jooohny!”

However, and before I wander too far from my thoughts, I want to hit home on what I’m trying to validate here. There are hundreds of horror movies made each year. They are pushed through the meat grinder with reckless abandon, and while some are much better than others, they fall way too short of where they need to be.

Hollywood is looking in the wrong direction for a new story. You know, as well as I do, that it has grown lazy in its efforts to please the masses. I mean, let’s face it.  It’s as simple as them finding the highest ratings and surfing off of the success of its origin.

I’m talking remakes here.

Remakes, reboots, whatever you want to call them, we need to get the fuck away from it. Moderation, people!  Seriously!

I love the superhero thing that’s going on, simply because it’s something we haven’t seen on film. Over-saturation can become a problem, if it hasn’t already, but at least it’s something new!  But, and here’s what I’m shooting for, at least it’s pulling from canon Marvel/DC Universe history and creating something for us to enjoy!

The Walking Dead?  Also pulled from canon writing!

Okay, okay.  So I’m talking comic books, but damn it, they’re books that have already been established!

I would rather watch a movie created by a Fan (or creator) of an established body of work, than to expect greatness from a group of fellas shooting a movie with corn syrup and red dye, while chasing the ‘actors’ with a cell phone.  Talk about a genre that needs to go away!

Yeah, screw you Daniel Myrick.  Thanks for nothing, while we’re at it!

If we want a horror movie in the Oscars once again, or at least a movie that crosses the genre divide (such as the movie of this article), we need Hollywood to keep pushing outward.  They need to look to the novelist of the day, week, month, or hell, even the year! Reach out and connect to us, Hollyweird!  Let us remind you how to work towards creating a fan base, rather than a quick buck.

I’m willing to bet that more than a few of us could even put gold in your future?

Hmm.

Now there’s a thought.